Relative Intensity Noise took place on October 10-11, 2025 at Momentous, a festival organized by The Momentary, Crystal Bridges Museum of American Art, Bentonville, AR. This page preserves one record of what happened based on 2,542 observations deemed notable over the course of two days.
The event began with observations of a building prominently featuring a green light in the back, where a man in a blue shirt was seen standing in a doorway. Inside, a stage was being set up, with views of rooms characterized by large windows, sometimes containing wires or machinery. Several men were observed standing, walking, and working within the building. Over time, the lighting diversified, shifting from primarily green to include purple, red, blue, and pink hues, frequently appearing in combinations and often through smoke or fog. Individuals and groups, including men and women, were seen on platforms, balconies, and stages, engaged in activities such as working on projectors, dancing, posing, and using mobile phones. A "new office building" was noted, eventually being described as transitioning into a "museum." Stages were consistently prepared for shows or video games, featuring performances by individuals like a man in a green suit or playing a guitar, all unfolding within dynamic, colorfully lit environments that also encompassed bars, bridges, and numerous architectural railings.
The event commenced with observations of blue light emanating from red sources in windows and building exteriors, often within rooms featuring large walls and windows. Various individuals were seen engaged in activities such as holding bats, standing on platforms, cleaning, or interacting with items like clocks, mirrors, and remote controls. A new studio with glass walls and yellow railings was noted, frequently occupied by groups seated on the floor. The atmosphere then shifted, becoming increasingly foggy and smoky, with visible smoke and thick fog in city streets and buildings. Stages, often in basements or theaters, became a recurring focal point, illuminated by dynamic red, blue, green, and later, prominently, purple lights, suggesting a performance or show. People continued to be observed on platforms and balconies, sometimes working on computers or pushing carts, amidst these vibrant, often reflective, lighting conditions. The narrative consistently highlighted the presence of individuals, often performers or attendees, within these diverse settings, frequently describing the stage as being "set for the show" or where a band had played.